Sigma 17-35mm f/2.8-4 EX DG IF HSM Aspherical Super Wide Angle Zoom Lens for Minolta and Sony SLR Cameras
January 21, 2008 Posted by
17-35mm f/2.8-4 EX DG Aspherical HSM is specially designed to suit the characteristics of digital SLR cameras. This lens has compact dimensions and features an overall length of 86.2mm / 3.3 in. SLD (Special Low Dispersion) glass is used for effective compensation of color aberration. Two pieces of molded glass aspherical lens elements offer excellent correction for distortion as well as all types of aberration. Excellent optical performance was realized both for Digital SLR cameras and film SLR cameras.
It has a minimum focusing distance of 27cm / 10.6 in. at all focal lengths, and maximum magnification ratio of 1:4.5. This super-wide angle lens’s useful range of view is very convenient for close-up photography.
Sigma, Nikon, and Canon models are equipped with a Hyper Sonic Motor (HSM). It is easy to revert to Manual Focus by simply turning the focusing ring and overriding the AF. An inner focus system provides high performance and convenience. The inner focus system allows the lens to be focused without having to rotate the front of the lens, so the lens accepts a petal-type hood and it is also easy to use a circular polarizing filter.
An inner focus system provides high performance and convenience. The non-rotating lens barrel perfectly suits the matched petal shaped lens hood.
Sony Alpha A200 First Hands-on Review - DigitalRev.com
January 20, 2008 Posted by
Sony AF DT 11-18 F4.5-5.6 D SAL-1118
January 12, 2008 Posted by
With the capability to focus quickly and zoom from super-wide-angle to wide-angle, this lens captures interior scenes with greater flexibility and handles fast action in close environments. Its DT design is ideally suited for the APS-size CCD imager of the Sony® ? (alpha) DSLR-A100 camera — and its 35mm-equivalent zoom range of 16.5mm to 27mm gives you wide latitude in framing and composition.
Internal Focusing System:
Lens elements at the rear of the optical system move, allowing rapid auto-focus response.
Aspherical Lens Elements:
Aspherical elements correct frame distortion to provide more visually accurate super-wide-angle shots.
ED (Extra-low Dispersion) Glass:
ED Glass lenses minimize flare and greatly reduce chromatic aberration, giving you photos with sharper focus and more accurate color separation.
Circular Aperture:
In low-light shots or nightscapes, out-of-focus light sources have a pleasing circular defocused effect.
Sigma 10-20mm f/4-5.6 EX DC HSM Lens for Minolta and Sony Digital SLR Cameras
January 3, 2008 Posted by
Designed exclusively for Minolta and Sony digital SLR cameras, the ultra-wide-angle 10-20mm offers a view from 102.4 to 63.8 degrees, making it ideal for landscape photography and other vast applications. The lens is distinguished by its three special low dispersion (SLD) glass elements, which effectively compensate for color aberration, and its aspherical lenses, which provide maximum correction for distortion and various aberrations. As a result, the lens produces an extremely high image quality throughout the entire zoom range. The HSM-equipped models, meanwhile, produce fast autofocus (AF) speeds and quiet shooting while still letting you perform full-time manual focus. Other details include a minimum focusing distance of 9.4 inches at all focal lengths and an integral petal-type hood to block out extraneous light.
Lens Elements and Coating
The new multilayer lens coating and lens design reduce flare and ghost–a common problem with digital cameras–while also creating an optimal color balance throughout the entire zoom range. At the same time, the lens offers three SLD glass elements that effectively compensate for color aberration, along with a piece of glass mold and two hybrid aspherical lenses that offer excellent correction for distortion and all types of aberration.
Inner Focusing System and HSM
The lens incorporates an internal focusing system that eliminates front lens rotation, letting you use a petal-type hood to protect from additional glare. And models equipped with a Hyper-Sonic Motor (HSM) produce silent, high-speed autofocus and full-time manual focus for Sigma, Canon, and Nikon D-mount lenses.
Best Consumer Lens
The Sigma 10-20mm lens is so respected that it was named the best consumer lens in Europe (2006) by the Technical Image Press Association (TIPA), a collection of 31 publications from 12 countries. According to TIPA, the 10-20mm lens offers a versatile range of wide-angle focal lengths, a good optical performance, and a budget price, making it an excellent investment for owners of DSLRs with APS-C format sensors. Its sharpness remains constant throughout the zoom range, and its compact size makes it an ideal companion for shooting travel, landscapes, or architectural subjects.
- Lens construction: 14 elements in 10 groups
- Angle of view: 102.4 to 63.8 degrees
- Number of diaphragm blades: 6
- Minimum aperture: f/22
- Minimum focusing distance: 9.4 inches
- Maximum magnification: 1:6.7
- Filter size: 77mm
- Dimensions: 3.3 inches in diameter and 3.2 inches long
- Weight: 16.4 ounces
Sony SAL-135F18Z 135mm f/1.8 Carl Zeiss Sonnar T Telephoto Lens for Sony Alpha Digital SLR
January 2, 2008 Posted by
A high-performance telephoto lens with the widest aperture in its class. Whether you’re shooting a distant mountain peak or a beautiful orchid at arm’s length, this superb telephoto lens provides amazing image quality. Its f/1.8 aperture makes it the brightest telephoto lens in its class — and with 35mm-equivalent 202.5mm focal length plus the ability to focus tightly on objects closer than three feet away, it can cover an amazing range of photographic assignments.
Ultra-Bright Images:
At fully open f/1.8 aperture (the best in its class), this high-performance 135mm lens creates amazingly bright telephoto images.
Superb Sharpness:
In conjunction with the Super SteadyShot® image stabilization system of the Sony® ? (alpha) DSLR-A100 camera, this lens gives you excellent results even working with hand-held camera by available light.
Close-up Focusing:
You can capture professional-quality images of both faraway scenes and objects closer than three feet.
Internal Focusing System:
Internal lens elements move to increase auto-focus speed to help you catch quick action.
ED (Extra-low Dispersion) Glass:
Two ED Glass lenses minimize flare and greatly reduce chromatic aberration, giving you sharp, clear telephoto shots.
This long-telephoto Sony zoom lens provides high magnification and a broad 14X zooming range in compact, lightweight design that makes it easy to carry — and its 35mm-equivalent range of 27mm wide-angle to 375mm telephoto excels at capturing faraway subjects, sports events, dramatic landscapes and intimate close-up views.
Sigma 105mm f/2.8 EX DG Medium Telephoto Macro Lens for Minolta and Sony SLR Cameras
December 30, 2007 Posted by
MACRO 105mm F2.8 EX DG allows greater working distance between the lens and subject. High contrast and excellent image quality are made possible in all shooting ranges. This macro lens is ideal for digital SLR cameras as well as film SLR cameras. This new medium telephoto macro lens employs a new design concept for digital SLR cameras. Its new lens power layout produces an excellent optical performance and also reduces flare and ghost. This new lens is designed to reduce the influence of harmful light caused by reflections from the digital image sensor.MACRO 105mm F2.8 EX DG lens is very suitable for taking pictures in nature and it enables to use of natural light conditions or flash. The greater working distance of this lens is very advantageous when taking the picture of a flower among the branches or an insect. You do not shake your subject when you want to take its precise details without blurring by using a tripod. The narrow angle of view is a great aid for simplifying backgrounds and shallow depth of field makes it easier to handle the composition. This lens would have an equivalent field of view of a 178mm telephoto macro lens on a digital SLR camera (when used with the SD10).Depth of field of medium telephoto macro lenses is generally very shallow; however, Sigma, Canon and Konica Minolta mounts of this lens have a minimum aperture of F45 (or F32 for Nikon and Pentax mounts) for incredible depth of field. A screw-in hood is included, for convenient use of circular polarizing filters. It is possible to attach an 77mm filter in front of the lens hood. This lens also incorporates a Dual Focus (DF) system that is designed to make the lens easy to hold during auto focusing. The large focus ring offers smooth and positive action whilst focusing manually.
Sigma 17-70mm f/2.8-4.5 DC IF Macro Lens for Minolta and Sony Digital SLR Cameras
December 13, 2007 Posted by
Sigma Corporation is pleased to announce the launch of the new 17-70mm f/2.8-4.5 DC MACRO lens. It can be used with wide variety of subjects and it is an ideal large aperture standard zoom lens for digital SLR cameras featuring APS-C size image sensor. This lens has a minimum focusing distance of 7.9.. (20cm) throughout the entire zoom range. Maximum magnification of 1:2.3 enables close-up photography like a macro lens. The new lens design and multi layer lens coating reduce flare and ghosting, which is a common problem with digital cameras. A Special Low Dispersion (SLD) lens and two aspherical lens elements provide excellent correction for all types of aberrations and produce a high level of optical performance throughout the entire zoom range. This lens offers a large aperture of F2.8 at 17mm wide angle and yet it is compact, with an overall length of 82.5mm (3.2..) and diameter 79mm (3.1..). It performs superbly even in relatively low light conditions indoors or at dusk. The lens design incorporates an inner focusing system, which ensures fast AF speed as well as prevents the front of the lens rotating, making it particularly suitable for use with circular polarizing filters and petal shaped lens hoods. This lens is also equipped with Zoom Lock Switch that eliminates ..Zoom Creep.. during transportation.
Sony AF 20 F2.8 SAL-20F28
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A wide-angle lens with uncommon accuracy and extraordinary depth of field. It delivers a super-wide 94° angle of view, corrects visual aberrations from about 10 inches to infinity, and provides deep depth of field for complex shots that maintain sharp focus in both close foreground and far background. Mounted on the Sony® ? (alpha) DSLR-A100 camera, this beautiful wide-angle lens achieves a 70° angle of view with 30mm focal length (35mm equivalent).
Amazing Visual Accuracy:
Advanced correcting techniques for optical distortion create visually accurate shots with minimum aberration — so foreground and background are both represented as actually seen.
Clear, Sharp Imaging:
With sophisticated optical coating to prevent internal reflection, this wide-angle lens achieves superb clarity and definition.
Deep Depth of Field:
The ability to keep both close foreground and distant background in critically sharp focus.
Rear Focusing System:
Lens elements at the rear of the lens move to increase auto-focus speed and help you catch quick action.
Circular Aperture:
Conventional lenses close their apertures with blades that can create multi-sided shapes — but the aperture blades of this superb wide-angle lens form a near circle at the wide openings you’ll use for low-light shots, so spot-light sources have a pleasing circular defocused effect.
Sony Alpha A700
November 12, 2007 Posted by
Picture Quality
The camera’s new 12.2-megapixel Exmor™ CMOS sensor conducts analog-to-digital (A/D) signal conversion and dual noise reduction right on the sensor itself. Noise reduction is applied to analog signals before A/D conversion and the resulting digital signals are then subject to a second round of noise reduction. According to Lubell, “These digital signals are virtually immune to external noise and interference.” Clean, noise-free digital signals are then sent to the newly developed BIONZ™ processing engine. Lubell said this engine has been optimized to process data-rich picture information at high speeds, and to reduce picture noise in the RAW data stage before final image compression and encoding. The results are high-resolution, detailed images with rich tonal reproduction.
Extraordinary Responsiveness
The A700 camera is engineered to be fast and ultra-responsive so as to become “a virtual extension of your own senses,” Lubell said, “capturing fleeting moments as you see them.” A newly developed, auto-focus system features 11 wide-area sensors, including a center dual cross sensor comprised of two horizontal and two vertical line sensors for exceptional AF precision. An F2.8 line sensor leverages the brightness of fast aperture lenses for even greater precision. Lubell said that extraordinary focusing speed has been realized through improved algorithms and a high-torque focusing drive motor. The large, bright, viewfinder uses a precision-ground optical glass pentaprism and a high refractive index eyepiece lens to provide 0.90x viewfinder magnification and 95 percent frame coverage. Manual focusing is aided by an interchangeable spherical acute matte focusing screen. The camera has a high-performance vertical traverse shutter with a maximum shutter speed of 1/8,000th of a second to freeze fast-moving action. A high-power coreless motor charges the shutter and mirror mechanism, allowing continuous shooting at up to five frames per second. In JPEG fine or standard mode, continuous shooting is limited only by the capacity of the media card (sold separately), while up to 18 frames can be captured in RAW.
Expanded Creativity
The new camera features fourteen creative styles, including night view, autumn leaves or vivid, which can be selected to enhance images. These effects can then be fine-tuned by customizing contrast, sharpness, zone matching and other parameters. Sony’s Dynamic Range Optimizer (DRO) function has been updated on this model so users can choose the desired level of detail recovered in areas of shadow. The advanced mode offers the option of five levels of user selectable correction. Additionally, DRO bracketing creates three images from a single capture with three different levels of DRO. There is an extensive array of customization options to personalize the camera to match shooting styles. The unit’s quick navigation interface can be accessed instantly with the four-way multi-selector, and selected parameters can be adjusted directly by control dials. Up to 28 camera settings can be stored in one of three user memories for instant recall. The unit’s custom function button can be assigned to 15 frequently-accessed functions. With the supplied remote capture application, the camera can be controlled from a compatible PC via USB without even touching the camera, and files can be stored on the computer instead of the media card.
High-Quality Pictures on an HDTV
The A700 model features an HDMI output for connection to HDTV sets, putting a high-resolution spin on the conventional photo slideshow. When connected to a Sony BRAVIA® LCD HD television, photos are optimized for viewing with the new “PhotoTV HD” mode. This mode brings the look of actual printed photography to the television, reproducing high-quality digital photos by fine-tuning such image parameters as sharpness, gradation and color specifically for photographs. The exceptional viewing experience of this camera also extends to viewing photos on its 3-inch LCD screen. The screen’s size and ultra-sharp resolution (921K) makes it possible to check focus and image quality with much greater accuracy.
A Flexible System
The camera will be introduced with two new lenses, bringing Sony’s lens and teleconverter catalog up to 23 models. Supplied as a standard kit lens, the new DT 16-105 mm f.3.5 - 5.6 lens features a distinctive zoom range (35mm equivalency of 24 - 157.5 mm); compact, lightweight design; and internal focusing. The other addition is a powerful and compact high-magnification DT 18 - 250 mm f3.5 - 6.3 lens. Sony is also planning to introduce a specialty 70 -300 mm f4.5 - 5.6 SSM G telephoto lens featuring super sonic wave motor auto focus drive system for smooth auto focusing in Spring 2008. Sony’s full line of accessories will also expand to include a new vertical grip. Equipped with buttons and switches for the most essential control functions, it offers the same ease of operation and handling as when shooting vertically. It houses two InfoLithium® batteries (sold separately), which will automatically switch to the second battery when the first one runs out. Remaining charges of both batteries are displayed on the camera’s LCD screen.
Memory That Keeps Up With The Camera
The model also features separate slots for Memory Stick Duo™ media cards compatible with the Memory Stick PRO-HG™ high-speed data transfer standard, as well as CompactFlash™ Type I/II media cards compatible with the new Ultra Direct Memory Access standard for up to 300x write speeds. Sony is also introducing new 300x high-speed CompactFlash™ memory cards, ideal for high-end photographers requiring fast write speeds. The new models, available in 2GB or 8GB capacity, expand Sony’s current line of CompactFlash cards that also include 66X and 133X speeds, with capacities ranging from 1GB to 4GB.
The DSLR-A700 camera body, DT 16-105 mm lens, and DT 18-250 mm lens will be available for about $1,400, $580 and $550, respectively. The DSLR-A700K kit with an 18-70 mm lens will be available for about $1,500, and the DSLR-A700P kit with the 16-105 mm lens will be available for about $1,900. The camera body and DSLR-A700K kit will ship in October and the DSLR-A700P kit in November. All will be available at sonystyle.com, Sony Style retail stores (www.sonystyle.com/retail), at military base exchanges, and at authorized dealers nationwide.
Sigma 70-300mm f/4-5.6 DG APO Macro Telephoto Zoom Lens for Minolta and Sony SLR Cameras
November 1, 2007 Posted by
The Sigma APO 70-300mm f4-5.6 DG Macro Lens for Minolta Digital SLR Cameras is a telephoto zoom lens with tele-macro functionality. Optimized for digital cameras, this high-performance lens has two Special Low Dispersion (SLD) glass elements in the front lens group and one in the rear lens group. It is able to shoot with maximum magnification 1:2 at the focal length of 300 millimeters. It’s the ideal lens for portraits, sports photography, nature photography, and other types of photography that frequently use the telephoto range.
The multi-layer lens coating and lens design reduce flare and ghosting, which is a common problem with digital cameras, and it also creates an optimum color balance through the entire zoom range. High optical performance is demonstrated throughout the entire zoom range. The lens features a switch that converts the lens to macro photography at focal lengths between 200 millimeters and 300 millimeters, with a minimum focusing distance of 37.4 inches. In normal mode the minimum focusing distance is 59.1 inches at all zoom settings.
Sony AF DT 18-70 F3.5-5.6 SAL-1870
June 12, 2007 Posted by
This superb standard lens for the Sony® ? (alpha) DSLR-A100 camera handles the full range of shots you’ll take most often — but there’s nothing “standard” about its advanced optical design. In 35mm equivalent, it covers wide-angle 27mm to 105mm midrange telephoto for snapshots, portraits, interiors and more — an excellent all-around lens to travel with.
DT Lens Design:
A more compact, lightweight lens designed specifically for the APS-size CCD imager used in the Sony® ? (alpha) DSLR-A100 camera.
Aspherical Lens Elements:
To correct visual aberrations at wide-angle setting, enabling a lightweight lens to capture more visually accurate wide-angle shots.
ED (Extra-low Dispersion) Glass:
To reduce chromatic aberration at telephoto extension, correcting certain wavelengths of light for sharp, clear images with well defined colors.
Circular Aperture:
Because aperture blades form a near circle at the wide openings used for low-light shots, spot-light sources have a pleasing circular defocused effect.
Sony Alpha A100
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“Our system will be attractive to people who are ready for something beyond what’s available in D-SLR cameras today,” said James Neal, director of marketing for digital imaging products at Sony Electronics. “Sony enthusiasts who want to upgrade from point-and-shoot cameras, as well as former Konica-Minolta digital and film SLR camera users who have already made substantial investments in lenses, will welcome this initiative.”
Fight Blur With Your Camera, Not Your Lens
The DSLR-A100 camera is engineered to combat blurry pictures through high light sensitivity (up to ISO 1600) and Super SteadyShot® image stabilization, a Sony technology that shifts the image sensor to compensate for camera movement.
Because Super SteadyShot is built into the camera body, all compatible telephoto, wide-angle, standard and macro lenses are automatically image-stabilized. This also allows from two to 3-1/2 stops of latitude in exposure, which supports hand-held shooting at longer shutter speeds than would otherwise be possible. In the end, you have more opportunities to shoot in natural lighting without a tripod or a flash.
Innovative Approach to Deliver Exceptional Image Quality
The a (Alpha) DSLR-A100 will be the only D-SLR camera that can optimize dynamic range, meaning the range from highlights to shadows, including gain and contrast, through in-camera hardware processing.
Sony’s Dynamic Range Optimizer (DRO) analyzes the captured image data and instantly determines the best exposure and color tonality of an image before JPEG compression. Unlike software optimization of a processed image, DRO is performed in the hardware. It is the first hardware-based DRO solution with the speed required for high-speed shooting.
Now You Can Really Catch The Action
The high-speed Bionz image processing engine allows you to capture pictures at lightning speed. The camera will offer high-speed burst shooting at up to three frames per second continuously, at 10.2-megapixels and the finest JPEG compression. For those action shots, you’re limited only by the speed of your media card.
The new camera will also have a long battery life. The supplied lithium ion battery gives you up to 750 shots per full charge, depending on usage patterns and environmental conditions.
Get Dust under Control
“For D-SLR camera users,” Neal said that, “dust is the enemy.”
Dust collects on the image sensor, usually when lenses are changed, and appears as annoying spots in photos, which then need to be retouched later. Sony’s new system offers a novel, two-pronged approach to fighting dust.
The camera’s CCD image sensor has an indium tin oxide coating to avoid static build-up so that dust does not readily adhere. Additionally, when you turn the camera on or off, an anti-dust feature is activated to literally shake off dust particles.
A Flexible System for Creative Possibilities
Sony is continuing its long-standing relationship with Carl Zeiss® to deliver superior optical performance for the a (Alpha) camera system. The two companies have co-developed three lenses, including an ultra-wide, 16-80 mm Vario-Sonnar T* zoom model and two fixed focal length telephoto models - a Planar T* 85 mm and Sonnar T* 135 mm.
The system will also be supported with a full range of accessories, including a line-up of flashes, cable releases, rechargeable battery packs and several styles of carrying cases.
Convenience and Simplicity
The a (Alpha) camera also features eye-start auto focus, which starts focusing your picture before you even press the shutter; a 2.5-inch Clear Photo LCD Plus™ screen for wide-angle viewing and exceptional color reproduction; JPEG and RAW file format support; and a comfortable camera grip with easily-accessible function and mode dials.
There is a slot for CompactFlash Type I/II and Microdrive® media cards. The camera also accepts Memory Stick PRO™ and Memory Stick PRO Duo™ media cards through a supplied adaptor.
The DSLR-A100 camera body will be available for about $900. The DSLR-A100K kit, which includes the camera body along with an 18-70mm zoom lens, will be available for about $1,000. Both ship in July and will be available at SonyStyle.com, Sony Style retail stores (www.sonystyle.com/retail), and authorized dealers nationwide.
Sony 75-300mm f/4.5-5.6 Compact Super Telephoto Zoom Lens for Sony Alpha Digital SLR Camera
February 13, 2007 Posted by
A compact zoom lens that brings you closer to action and portrait subjects. This compact, lightweight 4X zoom lens is a great value and an ideal choice for covering outdoor activities and sports action, even in large stadium locations. Its wide zoom range of 112.5mm to 450mm (35mm equivalent) handles both middle-ground subjects and portraits shot from a relaxing distance, so people won’t be nervous — even captures intimate details and natural wonders close at hand.
Compact Lightweight Design:
Gives you a super telephoto lens you can shoot with comfortably all day.
Long 4X Zoom Capability:
One lens takes you from close-ups, to portraits, to super telephoto zooms — covering a 35mm-equivalent range from 112.5mm to 450mm.
Close Shooting:
You can capture wildlife, faces and architectural details about as close as five feet to the camera.
DSLR and 35mm Performance:
Designed for superior performance with both DSLR APS-size CCD sensors and 35mm format cameras.
Circular Aperture:
Gives light sources a pleasing circular defocused effect in backgrounds.
Sony AF 16 F2.8 FishEye SAL-16F28
February 12, 2007 Posted by
Crisp images in the unique perspective that only a fisheye lens can provide. A superb fisheye lens with a look all its own — a fascinating perspective on landscapes, cities, crowds and special events. With a 180° angle of view and extraordinary corner-to-corner sharpness, this lens achieves crisp, clear detail from about 8 inches to infinity. Mounted on the Sony® ? (alpha) DSLR-A100 camera, it provides a 110° angle of view with 24mm focal length (35mm equivalent).
A Unique View of the World:
With exaggerated perspective and intriguing visual distortion, this fisheye lens brings images closer to the focal plane for a view beyond the ability of human eye.
4 Rotating Filters:
Built-in filters can be selected by simply rotating a dial on the lens — including Normal, 056 for accented contrast in B&W photos, B12 to correct color by eliminating red tones, A12 to correct color by eliminating blue tones.
Sony 50mm f/2.8 Macro Lens for Sony Alpha Digital SLR Camera
February 8, 2007 Posted by
A compact macro-focus lens that covers the full range from life-size to infinity. “Life size” macro imaging means that the image you capture is the same size as the subject in reality — giving you spectacularly sharp photos of insects, flowers, gemstones, postage stamps and other small nature subjects and collectibles. Mounted on the Sony® ? (alpha) DSLR-A100 camera, this lens provides a 75mm focal length (35mm equivalent) — which means it can also be used as a standard and midrange telephoto lens.
Sharp Macro Focusing:
You can get closer to your subject to capture low-angle shots of insects, flowers and other natural wonders — and broad depth of field lets you keep backgrounds in focus too.
Bright f2.8 Aperture:
In conjunction with the Super SteadyShot® image stabilization system of the Sony® ? (alpha) DSLR-A100 camera, this lens captures bright, steady images even working with hand-held camera in low light.
High Contrast and Resolution:
Excellent optical precision gives your shots greater visual accuracy for close analysis of your subject.
Focus Range Limiter:
Speeds auto-focus response by limiting the range of distances that are brought into focus — Close-up Range, or Telephoto Range.
Focus Hold Button:
For full creative control, a focus hold button located on the lens can lock auto-focusing.
Auto Clutch:
In auto-focus mode, the manual focus ring does not rotate — which improves handling ease.
Circular Aperture:
Because aperture blades form a near circle at the wide openings used for low-light shots, spot-light sources have a pleasing circular defocused effect.
Sony 50mm f/1.4 Lens for Sony Alpha Digital SLR Camera
January 7, 2006 Posted by
| An ultra-bright standard lens for fast, accurate shooting by available light. For quick candid shots that capture “the decisive moment,” this lens provides superb clarity and visual accuracy even with fully open aperture when working indoors or in low-light and twilight conditions. Mounted on the Sony® ? (alpha) DSLR-A100 camera, this lens provides midrange telephoto 75mm focal length (35mm equivalent) — and takes advantage of the in-camera Super SteadyShot® image stabilization system to minimize blur from shaky hands. Superb Sharpness in Available Light: In conjunction with the Super SteadyShot® image stabilization system of the Sony® ? (alpha) DSLR-A100 camera, this lens achieve pinpoint sharpness even working with hand-held camera by available light. Bright f1.4 Aperture: Circular Aperture: |
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